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Consuelo Lins is Full Professor of the School of Communication of the Federal University of Rio de Janeiro and the Graduate Program of the same institution. Researcher 1D of CNPQ, in the area of Communication, with emphasis on contemporary audiovisual production, particularly contemporary cinema, documentary, subjective documentary, film essays; Cinema, video, television, mobile media. Graduated in Communication from the Pontifical Catholic University of Rio de Janeiro, she has a master"s degree from the University of Paris 3 (Sorbonne Nouvelle), a masters degree in doctoral studies (1989/1994) and post-doctoral (2005). She acted as a guest teacher in 2014 at the Paris III / Sorbonne Nouvelle University (IRCAV). Between 2014 and 2015 she was a postdoctoral researcher at the Department of Film, Media and Cultural Studies at Birkbeck College/University of London. She is author of O documentário de Eduardo Coutinho; televisão, cinema e vídeo (Jorge Zahar editor - 2004, 2007, 2011/terceira reimpressão) and, with com Cláudia Mesquita, of Filmar o real, sobre o documentário brasileiro contemporâneo (Jorge Zahar editor - 2008 - 2011/segunda edição). She won the Petrobrás Cultural edicts (2007) and the Ministry of Culture (2008). She is the director of Lectures (2005), Leituras Cariocas (2009), Babás (2010), among others, winners in various festivals. |
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LINS, Consuelo. Eduardo Coutinho: linguista selvagem do documentário brasileiro. Galáxia (São Paulo. Online), v. 31, p. 41-53, 2016.
LINS, Consuelo; MESQUITA, Claudia. O fim e o princípio: entre o mundo e a cena. Novos Estudos CEBRAP (Impresso), p. 49-63, 2014.
LINS, Consuelo; PICADO, Benjamim ; FRANCA, Andrea. Figuras da imersão visual do espectador na imagem : a construção dos « lugares de experiência » nas práticas documentais contemporâneas. Comunicacao, Midia e Consumo (Online), v. 10, p. 31-48, 2013.
LINS, Consuelo; BLANK, Thaís. Filmes de família, cinema amador e a memória do mundo. Significação - Revista de Cultura Audiovisual, v. 39, p. 52-74, 2012.
LINS, Consuelo. Le film-dispositif dans le documentaire brésilien contemporain. Cinémas (Montréal), v. 22, p. 93-103, 2011.
LINS, Consuelo; REZENDE FILHO, Luiz Augusto Coimbra ; FRANCA, Andrea. A noção de documento e a apropriação de imagens de arquivo no documentário ensaístico contemporâneo. Galáxia (PUCSP), v. 11, p. 54-67, 2011.
LINS, C. L.; MENEZES, Adriana Cursino. O tempo do olhar: arquivo em documentários de observação e autobiográficos. Conexão (UCS), v. 9, p. 87-99, 2010.
LINS, Consuelo. Do espectador crítico ao espectador-montador: Um dia na vida, de Eduardo Coutinho. Devires (UFMG), v. 7, p. 132-138, 2010.
LINS, Consuelo. Dear Doc: o documentário entre a carta e o ensaio fílmico. Devires (Belo Horizonte), Belo Horizonte, v. 3, p. 47-57, 2006.
LINS, Consuelo. Um passaporte húngaro, de Sandra Kogut: cinema politico e intimidade. Galáxia (PUCSP), São Paulo, v. 7, p. 75-84, 2004. |
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Practices and documentary images in contemporary audiovisual culture: art, essay, subjectivity
Description This research is based on the two research axes that were already contained in the project of the postdoctoral stage (realized in 2014/2015 in Birkbeck College). Therefore, the research agenda that has been structured during this period has continued. The first axis seeks to rethink the implications of the gesture of appropriation of archive images in the practice of the essayist documentary (and this aspect will be analyzed extensively throughout my research), that is, I have developed countless reflections - constructed from not only theoretical and Critics of the field of cinema and the audiovisual, but also from thinkers who reflect on the origin of the essay form in the history of philosophy and on the literary and subjective exercises in literature (besides the already classic references to the works of cinema thinkers and filmmakers) - which seek to assess the potential and limits of these practices. The second axis of this project, will analyze the relationship between documentary and contemporary art: a topic that will be a priority in my research agenda for the next two years and which will have as a priority the work of Cao Guimarães (therefore, a good part of this research will take as a reference The films, videos, photographs and video installations of this artist from Minas Gerais). This research has been carried out in the research group CIEC-PPGCOM / UFRJ and is linked to the line of research Technology of Communication and Aesthetics. |
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